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They’re the first thing in a movie and they’re packed with information, but we rarely know much about them.

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No surprise that a movie this fast and funny makes sure even the credits don’t waste a second. A parody of 1970s-style police shows, the sequence is shot from right behind the flashing light atop a cop car. The car zooms down a city street but then veers onto a sidewalk, through a car wash, onto a roller coaster and toward terrified bystanders. Everything you need to know about the movie is set up: It’s deadpan, sharply observed, hilarious and relentless.

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Play a card from your hand, and place a chip on a corresponding space on the game board. When you have five in a row, it’s a Sequence. Each pl…

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A classic game made just for kids. Play a card from your hand, and place your chip on the corresponding character on the board. The first with…

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You likely know “Ascenseur pour l’échafaud� as one of Davis� final albums. The French film (known as “Elevator to the Gallows� in the U.S.) wasn’t exactly a blockbuster. But Davis and his band stunningly improvised the entire modal and cool jazz sounds in the studio while sequences of the film played on a loop.